Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
In Beethoven’s Footsteps
May 11 & 13, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
In Beethoven’s Footsteps
May 11 & 13, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor
American Rhythms
May 13, 2012, Hale Auditorium, Roberts Wesleyan College - David Harman, conductor; RPYO Concerto Competition Winners
Organ and Orchestra
Friday, May 18, 2012, Sacred Heart Cathedral - Neil Varon, guest conductor; Aaron James, organ; John Allegar, organ
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
Ontario Beach
June 27, 7:30 PM - Michael Butterman, conductor; FREE
Patriotic Pops—with Fireworks
June 30 at 7:30 PM, CMAC at Canandaigua - Michael Butterman, conductor; Jeffrey Biegel, piano; Jeff Midkiff, mandolin
What long shadow did Beethoven cast over the century that followed his passing? Did he inspire… or intimidate? Why did Brahms wait until he was past 40 to even consider composing a symphony?
Beginning with the music of Beethoven, Arild Remmereit explores how his legacy influenced Clara Schumann, Brahms, William Henry Fry, and even Charles Ives. Arild’s Eastman School of Music connections continue with music composed by an Eastman student and an Eastman piano soloist performing Clara Schumann’s Piano Concerto.
Arild Remmereit, conductor
