Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
American Rhythms
May 13, 2012, Hale Auditorium, Roberts Wesleyan College - David Harman, conductor; RPYO Concerto Competition Winners
Organ and Orchestra
Friday, May 18, 2012, Sacred Heart Cathedral - Neil Varon, guest conductor; Aaron James, organ; John Allegar, organ
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
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Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
Ontario Beach
June 27, 7:30 PM - Michael Butterman, conductor; FREE
Patriotic Pops—with Fireworks
June 30 at 7:30 PM, CMAC at Canandaigua - Michael Butterman, conductor; Jeffrey Biegel, piano; Jeff Midkiff, mandolin
Broadway Today!
July 7 at 8 PM, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; Gary Mauer, Tamra Hayden, and Craig Schulman, vocalists
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Phils 11: Handel, Brahms
Handel: Water Music
Robert King, The King’s Consort
Hyperion
A recording this infectious doesn’t happen unless the players are having a whale of a good time. Musicality runs through it like a thread. King puts not just a tune in your head but a kick in your step, a gesture in your body, a radiant smile on your face. His period instrument orchestra has lift and articulation and is never sterile or academic. Pastoral selections are very sweet. The album offers not only Handel’s complete Water Music but Telemann’s as well.
Brahms: German Requiem
Elizabeth Norberg-Schulz, Wolfgang Holzmair; Herbert Blomstedt, San Francisco Symphony Orchestra and Chorus
Decca
Blomstedt’s choral and orchestral textures are so transparent you can relish every shift in harmony and tone color as the organ quietly adds its underpinning warmth. He especially illuminates how Brahms’ pairing of the alto and tenor lines move the music forward. This is a very patient, laid-back performance; any excitement comes from its inexorable progression and Blomstedt’s focus on the text, not from any racing or clamor.
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