Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
American Rhythms
May 13, 2012, Hale Auditorium, Roberts Wesleyan College - David Harman, conductor; RPYO Concerto Competition Winners
Organ and Orchestra
Friday, May 18, 2012, Sacred Heart Cathedral - Neil Varon, guest conductor; Aaron James, organ; John Allegar, organ
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
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Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
Ontario Beach
June 27, 7:30 PM - Michael Butterman, conductor; FREE
Patriotic Pops—with Fireworks
June 30 at 7:30 PM, CMAC at Canandaigua - Michael Butterman, conductor; Jeffrey Biegel, piano; Jeff Midkiff, mandolin
Broadway Today!
July 7 at 8 PM, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; Gary Mauer, Tamra Hayden, and Craig Schulman, vocalists
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The History of Music
When discussing historical periods in music, it has become common practice to assemble the output of a century under one heading in order to analyze the various styles. Approximately a hundred years of development are treated as a single experience-the Baroque (17th century), Classical (18th century) and Romantic (19th century) Periods, for example. The 20th century does not yet have an "official" subtitle and compositions of the 21st century will be referred to as contemporary music. There are of course the old, the exclusively new and a blending of centuries within every era. There is always an overlapping with the birth of style. It seems to be more complicated with each new century.
There is always a renaissance or a "looking back" in all centuries, but moving forward dominates. We must be open to new styles, new ideas and new sounds. We are often resistant to the music by an unfamiliar composer or a composer born after 1900. Try not to automatically assume that you won't like a work because it was written in the 20th or 21st centuries. It is a revelation to remember that even though we unconditionally applaud the music of Bach, Haydn, Beethoven, Schubert, Brahms, Chopin and Mozart, to name only a few, they were not always well received, by general audiences or critics, during their lifetimes. They often encountered negative reactions and bad reviews because their music was too "dissonant" or too "different" according to the current trends. This environment of course exists in all centuries.
Classical music can be fun, approachable and very entertaining. It engages all your senses and explores your inner emotions. Listen and be prepared for a myriad of memorable experiences.
Text (c) Lynne S. Mazza
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