Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Dr. Seuss’ The Sneetches
May 5 & 6, 2012, Performance Hall at Hochstein - Arild Remmereit, conductor; John de Lancie, narrator; music by Lorenzo Palomo
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
Beethoven’s Second
May 10 & 12, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Tarin Supprakorn, piano
American Rhythms
May 13, 2012, Hale Auditorium, Roberts Wesleyan College - David Harman, conductor; RPYO Concerto Competition Winners
Organ and Orchestra
Friday, May 18, 2012, Sacred Heart Cathedral - Neil Varon, guest conductor; Aaron James, organ; John Allegar, organ
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
A Memorial Day Tribute
May 25 & 26, 2012, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; US Army Field Band Jazz Ambassadors
20% Off for US Military Personnel
Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
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Pictures at an Exhibition
May 31 & June 2, 2012, Kodak Hall at Eastman Theatre - Arild Remmereit, conductor; Cynthia Phelps and Rebecca Young, viola; Marcus Thompson, viola
Ontario Beach
June 27, 7:30 PM - Michael Butterman, conductor; FREE
Patriotic Pops—with Fireworks
June 30 at 7:30 PM, CMAC at Canandaigua - Michael Butterman, conductor; Jeffrey Biegel, piano; Jeff Midkiff, mandolin
Broadway Today!
July 7 at 8 PM, Kodak Hall at Eastman Theatre - Jeff Tyzik, conductor; Gary Mauer, Tamra Hayden, and Craig Schulman, vocalists
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The Styles of Classical Music
Music is an auditory experience, intended to be heard and re-heard. Music worthy of new performances over time becomes part of our culture. Eastern and Western societies commonly classify a portion of music under the general heading of "classical."
Music history is divided into style periods to facilitate the understanding in the development over centuries:
- Medieval (c.14th-15th centuries),
- Renaissance (c.15th to 16th centuries),
- Baroque (c.17th to early-18th centuries),
- Classical (c.18th to early-19th centuries),
- Romantic (c.19th century),
- Post-Romantic (late 19th to early 20th centuries),
- 20th Century and Contemporary (now meaning 21st century).
Basically, style refers to the handling of musical sounds, and the comprehension of this concept of style aids the listener. Knowledge of what to expect when listening to past centuries of music with "twentieth-century ears" reduces the element of surprise. Hundreds of years of development must be considered before musical evolution is intelligible. This doesn't mean that musical enjoyment is dependent on historical information, but it adds, without question, a special dimension to one's appreciation.
The designation of style periods can be made only after the actual years have passed, because such categorizing requires historical perspective. As always with historic and artistic trends, all beginning and ending dates are approximate. Even after a style has passed, so to speak, its height of popularity, composers of a later time may return to it, often centuries later, in order to achieve a desired effect. A style of music is not restricted to a particular time and place, though it is generally labeled for the historical period with which it is predominantly associated.
Text (c) Lynne S. Mazza
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